TROLLS

TROLLS is a very cute and fun film for adults and kiddies, loaded with fabulous music, dance, giggles and a happiness theme. I especially loved the created world where the characters and backgrounds looked like they were made of fabric, in particular...felt, tying in with Poppy's love of scrap-booking.

Dreamworks TROLLS

Dreamworks TROLLS

From the creators of Shrek comes DreamWorks Animation’s TROLLS, a smart, funny and irreverent comedy about the search for happiness, and just how far some will go to get it. The film transports audiences to a colorful, wondrous world populated by the overly optimistic Trolls, who have a constant dance in their step and a song on their lips, and the comically pessimistic Bergens, who are only happy when they have Trolls in their stomachs.

King Gristle, Jr & King Gristle in DreamWorks TROLLS

King Gristle, Jr & King Gristle in DreamWorks TROLLS

After the Bergens invade Troll Village, Poppy (Anna Kendrick), the happiest Troll ever born, and the overly-cautious, curmudgeonly Branch (Justin Timberlake) set off on a journey to rescue her friends. Their mission is full of adventure and mishaps, as this mismatched duo try to tolerate each other long enough to get the job done.

Poppy & Branch in DreamWorks TROLLS

Poppy & Branch in DreamWorks TROLLS

Justin Timberlake, who serves as the film’s executive music producer, and features four original songs, including songs by Justin Timberlake Gwen Stefani, Anna Kendrick and Ariana Grande, in addition to a number of classic hits from the 1960s through the 1980s, rearranged and sung by members of the cast

Dreamworks TROLLS

Dreamworks TROLLS

The technology available for animated filmmaking is more sophisticated and photo-realistic than ever before. In many features, for example, grass has never looked grassier and water never more... watery.

But the TROLLS filmmakers had a very different kind of vision in mind for these bleeding-edge visual effects tools. They decided to create a world unlike any other experienced on film.    “We wanted to transport audiences to a handmade universe,” says Mitchell.

Production designer Kendal Cronkhite-Shaindlin based the film’s look on Fiber Art textures, including felts, velvet, macramé, and flocked materials. The filmmakers called it “fuzzy immersion,” a process they say will make audiences want to reach into the film and touch the characters and settings.